SWOT Analysis of Bitcoin: Do strengths outweigh its

Overcoming Identity Crisis of Today, while Taking a Matrix Pill 2020 and Affecting the Social Trends

The Matrix has you…
The cultural overview over "The Matrix Trilogy" and how it foresaw the social trends.
"The Matrix" trilogy by the Wachowski brothers is the most iconic and groundbreaking movie trilogies in cinema history. Terms like "The red pill", "Dessert of the real", "There is no spoon", "Follow the white rabbit", "Why, Mr. Anderson? Why?" and many other phrases from the film became the golden quotes of the new millennium, shaping the entire culture of the "generation Y"… also known as "the millennials". "The bullet time" effect with fancy acrobatic moves and bullet waves turned into the most quoted gimmick for decades in action films, parodies and video games. The slow motion has never been so cool and slick, as it was after "The Matrix", not to mention sunglasses at night and dark looks with fashionable black leather tailored coats.
Its been 21 years since the theatrical release of the first "The Matrix" film. It came out in November of 1999 (the most revolutionary year in cinema history, since it is the release year of such groundbreaking hit titles like "Star Wars: Episode I. The Phantom Menace" by George Lucas, "Fight Club" by David Fincher, and "The Matrix", of course, by the Wachowski brothers). Four years after the great success of the film, "The Matrix" was reloaded with two worthy sequels: "The Matrix Reloaded" and "The Matrix Revolutions" — turning a movie franchise into a full-time trilogy. There was also "The Animatrix" — an anthology of animated short films set in "The Matrix Universe" directed by highly acclaimed Japanese animators, and a video-game "Enter the Matrix" which told a story that went parallel to the story of sequels, explaining some of the unanswered questions in the films. Thus "The Matrix" franchise has become one of the first inter-media franchises where all available storytelling formats told one epic story from different angles and points of view. And unlike other attempts of creating such inter-media franchise around movies (like it was with "Star Wars Expended Universe" or "The Terminator" franchise) it wasn't just pure merchandising and cash-grabbing schemes with questionable product quality having a famous brand logo on it… no, '"The Matrix" franchise was one well thought out project and story from the very beginning, created and curated by the Wachowski brothers. Nothing more or less.
In the year of 2020 "The Matrix" is being reloaded once again with its new instalment being in production. Internet is filled with shaky mobile phone behind the scenes footage of "The Matrix 4". We see Neo, played by actor Keanu Reeves and his stunt double, jumping of high buildings and riding fancy motorcycle with Trinity, played by Carrie Ann-Moss, while the streets of San-Francisco are being turned into a chaotic war zone with explosions, car chases, extras running all over the streets and helicopters flying.
Usually such big blockbuster film productions are being held in secret in order to prevent unnecessary leaks and story spoilers… most of the extras and crew members don't even know what movie they are filming up until the very end. During such big productions fake movie titles are made. But this time, as it seams, filmmakers don't really care about production secrecy, as actor Keanu Reeves and film director Lana Wachowski keep on hanging out with random people on a street during the filmmaking process. What is it? A new viral social media format of film advertising? Or the new way of entire filmmaking approach? Or maybe both?
Either way — Lana Wachowski is the visionary artist that is going to bring something fresh and unexpected into the cinema format and into the new "Generation Z" culture. The Wachowski brothers have foreseen the future with "The Matrix" film almost in every way possible… and I'm pretty sure they are going to do so again. They spoke of cyber-crimes, data privacy and internet control long before Edward Snowden incident, WikiLeaks, Anonymous group, social medias and etc. They showed aircraft controlled by so called "terrorists" hitting skyscrapers years before 9/11. "The Matrix" also tried to warn us about the dangers of virtual realities, and here we are 20 years later using VR systems and spending our lives in endless MMO RPG games (by the way, "The Matrix" franchise even had its own MMO RPG video game "The Matrix Online"). The virtual values have become much more valuable that the material ones. Bitcoins and Facebook likes are considered to be much more precious then real money and even gold by many. Instagram pages are viewed as the only true portraits of their users, however bright filters, happy faces, flattering camera lenses and photoshop have nothing to do with reality. It is merely a "Residual self-image", as it was named in the film, "A mental projection of your digital self". The person sees himself whom he wants him to be, not whom he really is.
And I think that this topic is the most overlooked topic by critics and contemporary culture scholars.
Just think about it — the Wachowski brothers are the physical manifestation of their own concept of "Residual self-image", as both of them saw themselves as someone different. Both brothers were men, but they considered themselves to be women. Their physical reality didn't match with their mental projection of virtual self. Thus they had to do surgeries and go through sex change procedures. The Wachowski brothers are officially sisters. Nowadays in 2020 it is a common practice that can't surprise anyone, however in 1990s during the production of the first "The Matrix" film it was a big deal… so big that Wachowski brothers had to rewrite the screenplay. In the earlier drafts of the script there was a fully flashed out transgender character. She is still present in the final film, but her role and concept has been reduced. Character Switch — portrayed by Belinda McClory — was a transgender, and her name "Switch" meant too illustrate her constant transitions from one form into another, as she was a female in the real world, but in the Matrix her personal "Residual self-image" switched her into a masculine male. For Wachowski brothers it was a very important topic to explore, since both of them dedicated their lives to transgender worldview, but in 1990's the film studio and producers thought that such concepts would be too confusing for average film viewers and difficult to follow, thus it was all cut out during pre-production. Even their first film "Bound" that featured lesbian love story was met with numerous misunderstandings during pre-production, during its filming and, of course, during its release, since such themes were considered too risky… almost taboo, as they could easily put off many unprepared audiences.
But now… look how the world and culture has changed?! In 21 years everything is upside down. It is almost impossible to find a big blockbuster film or franchise or T.V. series or even a video-game that has no lesbian, gay, transgender, bisexual, pansexual or any other "something"-sexual character. It is true for both "rated R" and "rated M" media and for media oriented for children. Disney's life adaptation of animated classic "Beauty and the Beast" is the prime example… not to mention more.
I must say that unorthodox sexual orientation of characters were always present in cinema, they were never the subject of prohibition and never will be, however before "Wachowski era" their orientation always played some sort of narrative purpose. No character was supposed to be gay or transexual just for that sake of being such. But nowadays we see LGBT characters all over visual media… and the fact of their orientation rarely enhance the story or add anything to it. For the most part it is just being there for no reason other then being there. No wonder we have so many poorly written stories today. "Chekhov's gun" is the key to good storytelling, isn't it? If you put something into a story, it must heave a purpose, because without purpose it's just a filler, a white noise… this means it shouldn't be there at all. And here I'd like to quote Agent Smith from "The Matrix" films:
"But, as you well know, appearances can be deceiving…" — even here Wachowski brothers point out the previous "Residual self-image" topic. "…which brings me back to the reason why we're here. We're not here because we're free. We're here because we're not free. There is no escaping reason; no denying purpose. Because as we both know, without purpose, we would not exist."
Curious… Wachowski brothers were pioneers in LGBT mass-media, yet even they were smart enough to exclude these themes from "The Matrix trilogy", even having a total creative freedom over the sequels, as they knew that it would serve no purpose in their story. Yet they used much more sophisticated tricks to pinpoint their agenda and worldview. Get ready for some hard drugs! Wachowski brothers urged the protagonist and film viewers to take "The red pill" and "Free our minds". They also urged us to fight against all rules and stereotypes, and young generation loved it. In the film it simply meant "rage against the machines", but in our world where this film was "The red pill" for young people, this fight against the established order had much deeper purpose.
Upon the quick view on the lives of the Wachowski brothers over these two decades we can tell that their "red pill" they were giving us, was simply a androgyne hormone for transgenders and their main "Matrix" they were fighting against, was the sexual orientation stereotypes. They succeeded in their revolution, as LGBT themes are no longer taboo in mass-media. But there were also other important cultural topics Wachowski brothers presented with their trilogy: multiculturalism, racial diversity, feminism and even "toxic masculinity" and war against white men and patriarchy… long before these themes became mainstream in pop-culture.
"The Matrix" franchise had always a diverse cast, didn't it? It also has strong and independent female characters right from the start. And it wasn't just a copycat trend to appeal some social minorities, as it happens today. It was the personal philosophy of the authors. However, despite all their diversity and equality, one social group was shown deliberately one-sided. Just think about it. All evil characters in all three films were male and white. Agents are white middle aged men, Cypher — white middle aged man, Merovingian — white middle aged man, Architect — white man, Bane — white middle aged man, etc. Some can argue on this topic, since white men where also on the side of good guys. True, "but, as you well know, appearances can be deceiving…" says Smith. All white men on the good side of the story are… well, questionable. Whom can we name? Councillor Hamann — played by Anthony Zerbe — is a white man… a father figure in Zion, however he is shown to be an irrational and rhetorical weak old man. Comparing him to other leaders of Zion we can easily see his incompetence. Even Neo makes fun of him, pointing out on a fact that Hamann's solid age doesn't make him wiser (and it is the only time in the whole trilogy when the main protagonist ever trolls anyone). Then there is the Kid — played by Clayton Watson — another white man good guy, but he is just an immature naive boy… in "The Animatrix" he in the moment of danger finds no better way out then a suicide… a very questionable role model, don't you think? Who's next? Mouse — portrayed by Matt Doran — once again a young teenager full of sexual hormones and nothing more. There is also Captain Roland — played by David Roberts — and his ship crew, but a single black woman Niobe — played by Jada Pinkett Smith — turns out to be wiser and much more competent then any of them. Meanwhile all non-white and non-male characters are shown in the positive light. Wait… but what about Neo — the one himself — played by Keanu Reeves — he is a white man — the hero of the trilogy. True. However originally "The Matrix" creators wanted to cast Will Smith for the role of Neo, but Will Smith declined the role and chose to act in "Wild Wild West".
In other words Wachowski brothers brought up anti-white men SJW themes in their films long before such topics became mainstream and part of pop-culture. Thus they weren't even noticed by the time of film release. But it is worth mentioning that Wachowski brothers were depicting anti-white men subplots not because they were following some kind of fashion or social agenda like mass-media does today, but because brothers WERE white and men, and they wanted to do something about it. And they did. For real.
However next generation of filmmakers and artists took the Wachowski brothers' personal issues and turned it into a viral trend, changing the culture forever. It can be even said that the modern SJW and LGBT hysteria is the Matrix, created by Wachowski brothers. I wonder, will their new "The Matrix" film change the world once again?.. and how?
Text: Jurii Kirnev
Omnifinery Editorial: Article 003
submitted by SelfMadeAsia to OMNIFINERY [link] [comments]

Mockingbird X.0

Imagine if there was one desk that all stories could cross so that, at 4am, a media plan could be decided upon and disseminated where all news outlets coordinated to set the goalposts of debate and hyper focused on specific issues to drive a narrative to control how you vote and how you spend money; where Internet shills were given marching orders in tandem to what was shown on television, printed in newspapers and spread throughout articles on the World Wide Web.
In the past, we had Operation Mockingbird, where the program was supremely confident that it could control stories around the world, even in instructions to cover up any story about a possible “Yeti” sighting, should it turn out they were real.
If, in 1959, the government was confident in its ability to control a story about a Yeti, then what is their level of confidence in controlling stories, today?
In fact, we have a recent example of a situation similar to the Yeti. When Bill Clinton and Loretta Lynch met on the TARMAC to spike the Hillary email investigation, the FBI was so confident it wasn’t them, that their entire focus was finding the leaker, starting with searching within the local PD. We have documentation that demonstrates the state of mind of the confidence the upper levels of the FBI have when dealing with the media.
The marriage between mainstream media and government is a literal one and this arrangement is perfectly legal.
But, this problem extends far beyond politics; the private sector, the scientific community, even advice forums are shilled heavily. People are paid to cause anxiety, recommend people break up and otherwise sow depression and nervousness. This is due to a correlating force that employs “systems psychodynamics”, focusing on “tension centered” strategies to create “organizational paradoxes” by targeting people’s basic assumptions about the world around them to create division and provide distraction.
In this day and age, it is even easier to manage these concepts and push a controlled narrative from a central figure than it has ever been. Allen & Co is a “boutique investment firm” that managed the merger between Disney and Fox and operates as an overseeing force for nearly all media and Internet shill armies, while having it’s fingers in sports, social media, video games, health insurance, etc.
Former director of the CIA and Paul Brennan’s former superior George Tenet, holds the reigns of Allen & Co. The cast of characters involves a lot of the usual suspects.
In 1973, Allen & Company bought a stake in Columbia Pictures. When the business was sold in 1982 to Coca-Cola, it netted a significant profit. Since then, Herbert Allen, Jr. has had a place on Coca-Cola's board of directors.
Since its founding in 1982, the Allen & Company Sun Valley Conference has regularly drawn high-profile attendees such as Bill Gates, Warren Buffett, Rupert Murdoch, Barry Diller, Michael Eisner, Oprah Winfrey, Robert Johnson, Andy Grove, Richard Parsons, and Donald Keough.
Allen & Co. was one of ten underwriters for the Google initial public offering in 2004. In 2007, Allen was sole advisor to Activision in its $18 billion merger with Vivendi Games. In 2011, the New York Mets hired Allen & Co. to sell a minority stake of the team. That deal later fell apart. In November 2013, Allen & Co. was one of seven underwriters on the initial public offering of Twitter. Allen & Co. was the adviser of Facebook in its $19 billion acquisition of WhatsApp in February 2014.
In 2015, Allen & Co. was the advisor to Time Warner in its $80 billion 2015 merger with Charter Communications, AOL in its acquisition by Verizon, Centene Corporation in its $6.8 billion acquisition of Health Net, and eBay in its separation from PayPal.
In 2016, Allen & Co was the lead advisor to Time Warner in its $108 billion acquisition by AT&T, LinkedIn for its merger talks with Microsoft, Walmart in its $3.3 billion purchase of Jet.com, and Verizon in its $4.8 billion acquisition of Yahoo!. In 2017, Allen & Co. was the advisor to Chewy.com in PetSmart’s $3.35 billion purchase of the online retailer.
Allen & Co throws the Sun Valley Conference every year where you get a glimpse of who sows up. Harvey Weinstein, though a past visitor, was not invited last year.
Previous conference guests have included Bill and Melinda Gates, Warren and Susan Buffett, Tony Blair, Google founders Larry Page and Sergey Brin, Allen alumnus and former Philippine Senator Mar Roxas, Google Chairman Eric Schmidt, Quicken Loans Founder & Chairman Dan Gilbert, Yahoo! co-founder Jerry Yang, financier George Soros, Facebook founder Mark Zuckerberg, Media Mogul Rupert Murdoch, eBay CEO Meg Whitman, BET founder Robert Johnson, Time Warner Chairman Richard Parsons, Nike founder and chairman Phil Knight, Dell founder and CEO Michael Dell, NBA player LeBron James, Professor and Entrepreneur Sebastian Thrun, Governor Chris Christie, entertainer Dan Chandler, Katharine Graham of The Washington Post, Diane Sawyer, InterActiveCorp Chairman Barry Diller, Linkedin co-founder Reid Hoffman, entrepreneur Wences Casares, EXOR and FCA Chairman John Elkann, Sandro Salsano from Salsano Group, and Washington Post CEO Donald E. Graham, Ivanka Trump and Jared Kushner, and Oprah Winfrey.
George Tenet, with the reigns of Allen & Co in his hands, is able to single-handedly steer the entire Mockingbird apparatus from cable television to video games to Internet shills from a singular location determining the spectrum of allowable debate. Not only are they able to target people’s conscious psychology, they can target people’s endocrine systems with food and pornography; where people are unaware, on a conscious level, of how their moods and behavior are being manipulated.
"The problem with George Tenet is that he doesn't seem to care to get his facts straight. He is not meticulous. He is willing to make up stories that suit his purposes and to suppress information that does not."
"Sadly but fittingly, 'At the Center of the Storm' is likely to remind us that sometimes what lies at the center of a storm is a deafening silence."
Tenet joined President-elect Bill Clinton's national security transition team in November 1992. Clinton appointed Tenet Senior Director for Intelligence Programs at the National Security Council, where he served from 1993 to 1995. Tenet was appointed Deputy Director of Central Intelligence in July 1995. Tenet held the position as the DCI from July 1997 to July 2004. Citing "personal reasons," Tenet submitted his resignation to President Bush on June 3, 2004. Tenet said his resignation "was a personal decision and had only one basis—in fact, the well-being of my wonderful family—nothing more and nothing less. In February 2008, he became a managing director at investment bank Allen & Company.
We have the documentation that demonstrates what these people could possibly be doing with all of these tools of manipulation at their fingertips.
The term for it is “covert political action” for which all media put before your eyes is used to serve as a veneer… a reality TV show facade of a darker modus operandum.
It is now clear that we are facing an implacable enemy whose avowed objective is world domination by whatever means and at whatever costs